Almost exactly ten years ago, I raved about Haven in my fanzine, "The Ruby Slippers", following my recent acquisition of their debut album, Between the Senses, and a frenzied gig as their star ascended above Manchester's legendary Night & Day Cafe. This retrospective blog post is inspired by reading the rather fantastic
Between the Lines - A History of Haven, by my fellow 'zining friend from back then Mary O'Meara. The photos (scanned from film - not sure what camera I used!) all come from the Night & Day gig on 9th February 2002, as mentioned in the excerpt from my 'zine below. Possibly another post to follow with some photos from a later gig!
"… as singer Gary likes to point out, the songs should speak for themselves, a claim reinforced by the complete lack of lyrics in the album sleeve. Nat put it eloquently in the NME recently: ‘We exist as humans, but the songs exist as a hell of a lot more than that’. So now Haven are on the brink of erupting into this huge phenomenon – there’s barely a wall in Manchester which isn’t adorned by a ‘Say Something’ or ‘Between the Senses’ poster. It all feels like it happened very quickly to me, so I can’t imagine what it’s like for them right now! Last week I got the album through in the post and it’s been on repeat play pretty much ever since. Then last night I was at the Night & Day Café for a pre-tour warm-up gig, which was a pretty special occasion…
"I think there’s a good order of events for getting into a band – first of all you hear a song on the radio and are immediately blown away – you go out and buy the single and the b-sides are amazing too, so then you go and see the band live and they confirm all your hopes. Maybe a couple more gigs and singles down the line, they release an album – some of the songs you know really well (the singles), others are familiar from hearing them at gigs and others are completely new. This is pretty much what happened with Haven and so I’ve been able to appreciate ‘Between the Senses’ on several different levels, which makes it all the more exciting to listen to.
"First of all, it was great to hear the singles in their proper context, instead of crammed between power pop and nu-metal shite on the radio - ‘Beautiful Thing’ sounds so much more powerful as an album opener than it did standing alone and ‘Say Something’ still fizzes with chart-breaking freshness. Of the live-faves it’s ‘Still Tonight’ that was most eagerly anticipated and five tracks in, here it was – that simple but inspired guitar intro, slower and grittier than it’s live equivalent, in perfect contrast to the smooth and flowing vocals, the drum beats juddering at just the right moments to give me shivers, then there’s a gradual build up to the final chorus, with Gary holding ‘there’s…’ just long enough before it all takes off and makes me dizzy. Yes, you may have guessed, this song is rather special! ‘Lately’ is another – a softly lilting acoustic beginning, with the vocal oh so gradually building into a huge, emotive force - ‘nobody lately looks like yoooouuu do’ - before winding back down into a fragile and heart-rending ending.
"The final three tracks steer us away from the more traditional form of the songs on the rest of the album and into more atmospheric territory – ‘Is This Bliss’ has acoustic guitar reminiscent of Holy Bible era Manics B-side ‘Hibernation’, ‘Keep on Giving In’ is all moody, echoey harmonies (this one with a slightly Mansunish guitar riiff!) and finally ‘Holding On’ – sounding like a perfect soundtrack to cult fantasy film ‘Labyrinth’! I thought Haven were gonna be a new Marion, but they are so much more than just Gary’s albeit divine voice. Musically, they have it all – soaring pop singles, ballads that really do hit you and then, just when you think it’s too good to be true, there are these slightly off kilter, dreamy tracks too. They say the band is their haven – this album could well become mine."
Yesterday I attended the playback party for Marion's third album - a live recording of their December 17th gig at Manchester's Club Academy. Having missed the gig itself, I was eager to get my Marion fix and the evening didn't disappoint - with a lovely live acoustic set and the album played back LOUD, free drinks flowing... taking pictures wasn't really top priority (and especially after seeing Natalie Curtis' rather superior photographs on display).
But wanting to at least have a small personal document of the occasion, I snapped a few on my little Finepix and then attempted to salvage something resembling a picture from them, through the wonders of photo editing!
